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Posted By D.E. on August 17th, 2010

Whenever a stranger on the street asks me for directions, I always, always stop and try to help.

Because I am a helpful person.

So yesterday morning, after semi-successfully vanquishing my lousy mood at the gym, I’m heading to work. And up ahead of me on the sidewalk I see this guy talking on his cellphone. And I’m thinking, this poor guy. He has all these freckles, and red hair, and poor eyesight, and obvious problems with his adenoids, and no grasp of flattering fashion. And also, he’s wearing a Yankees cap and jersey, which leads me to suspect that he might be retarded. (I know it’s not very zen of me to keep this running inner monologue that consists mostly of stranger-judging and Death Wish-style fantasies. If I could learn meditation I’m sure the voices would quiet a bit. I have a number of meditation albums on my iPod. I only listen to them on the subways to drown out everyone around me. But I’ve learned that it’s important to remember how strangers are dressed and what they look like because as a Hysterical Feminist®, I believe that all men are potential rapists. As an added bonus, this enables me to follow men’s fashion trends pretty closely.)

But I’m saying this because this guy is standing right in my way on the sidewalk, talking on his cellphone. And me, I’m listening to my Getting Psyched for Quietly Resigned to Work mix, which begins with “Can I Say.” And I’m looking at him because now I’m right in front of him. He’s pretty tall. And he takes his phone from his ear and starts saying something to me and because I AM A HELPFUL PERSON I pull my headphones out of my ears and I’m expecting him to ask for directions to one of the myriad neighborhood methadone clinics (because maybe he’s not retarded, just addled) and I say, “Pardon me?”

And he says, “I said how you doin’ this morning, mama?”

In terms of threat level, dickhead was more along the lines of Annoying Pinstripe Fedora Dude than Schrodinger’s Rapist. But you know what? Fuck that guy. I generally just shake my head and keep walking in situations such as these*, but yesterday? I was irritated. So I say to him, “Is this your strategy? Do you just interrupt women you don’t even know on the street to harass them?”

And he gets all exercised and hoots and says “YEAH!”

And over my shoulder I shout, “GOOD LUCK WITH THAT, DICKHEAD!” What can I say, why should I try, indeed.

But seriously: Fuck that guy, and fuck YOU if you’ve ever been that guy.

*And of course the one time I actually engaged in conversation in one of these situations it turned into some Herzog short. I was in Prospect Heights, running an errand, and this guy driving an ambulette van slowed down to talk to me. (It should be noted that the sole requirements to become an ambulette driver in NYC are that you be a) insane and b) completely unaware of driving rules and regulations.)

Him: “Hello there.”

Me, walking, pulling headphones off: “Hi.”

Him: “Did you know that you’re beautiful?”

Me: “Yes.”

Him: “Can I give you my number?”

Me: “I’m married.”

Him, cars honking behind him: “Does your husband tell you every day that you’re beautiful?”

Me, trying to get him off my case, though clearly the honking isn’t deterring his mission: “Yes.”

Him: “Because I think it’s real important that a woman gets told that she’s beautiful. Every day.”

Me, hitting the street corner and turning left: “That’s nice.”

Him: “Especially when they’re on their period.”

Me: [???]

Him, driving off: “You have a nice day, beautiful.”

Epilogue: I still can’t tell if that was serious street harassment or performance art. Naturally as soon as he was out of sight, I spun my skirt in a 360 in the middle of the sidewalk, just to check…well, you know.

 

Archive for October, 2002

On Shite Opening Bands

Posted By D.E. on October 11th, 2002

Grrragh!

I’ve been so busy I’ve not had the opportunity to mention that I got to see Cinerama the other night. Two bands opened for them: Ballboy and VHS or Beta. Ballboy were decent–a mix of Wedding Present-lite and Pulp. They seemed all the more charming because the lead singer had the cutest little emmmmm-bra lilt to his voice and he told a lot of apparently amusing (yet to me unintelligible) anecdotes between songs.

Before I get into the Pain Known as VHS or Beta, let me say that Cinerama was very good. David Gedge seemed a bit discouraged at the audience’s reception, which may have been a bit lukewarm, though the show was, I believe, sold out. Still, he played well, scanning the audience with those sad puppy dog eyes of his and gesturing dramatically as he sang. They did a couple Wedding Present songs–Corduroy, Brassneck–but nothing much older than that. I’d have loved to hear My Favorite Dress. *sniff* His demeanor, while a bit standoffish, was also funny and self-deprecating at the same time. He played a brand new song called “It’s Not You, It’s Me.” (”A bit of a cliche,” he acknowledged,”but also quite Gedgian, no?”) He rebuffed all requests, told us all he loved us all very much, and emphasized that they’d not be doing any encores. All in all, it was totally worth not getting to bed until 1:30.

But let’s get back to VHS or Beta. I’d never heard of them before. Apparently they’re some sort of live disco/electronica outfit from Louisville. They took forever to set up. First they had to drag out a 5000-lb computer keyboard thingy. Then they brought out 600 or so cords for their instruments. Then the drummer set up his drum kit as though he were wiring a bomb. Then they all walked offstage and apparently discussed at great length what they were going to wear. 15 minutes later, they returned. Black t-shirts! Eureka!

Then they began to play. The audience had a collective bemused expression. 200 or so eyebrows furrowed as VHS or Beta played the same 3 chords. For 20 minutes. And at first, it was funny. We all exchanged incredulous looks, rolled our eyes, laughed out loud in wide-eyed amazement. “Are we in a Mitsubishi commercial?” “I think this is a Kenny G cover.” “I think the band’s name is Godspeed You, Kenny G!”

The guitarist played a chord and pointed at a member of the audience. That’s for you, babe.

But you know, after 20 minutes, you start running out of jokes. And it’s not funny anymore, just downright agonizing.

But we’d be damned if we would give up the floorspace we’d staked out by retreating to the bar. So we stayed. And then the guitarist began singing into the microphone. With a vocoder. We were momentarily mirthful again. “I think their album is called VHS or Beta Comes Alive!”

A while later (continents drifted…empires were built and destroyed…the planets aligned and realigned) they stopped playing. And we breathed a sigh of relief. But then they announced:

“OK, we’ve got two more songs for you!”

In my confusion, I thought They couldn’t be serious. They must be in on their own joke.

But no. They *did* play 2 more songs. More vocoder, more wah-wah, more computerized handclaps, more deedle-deedle-dee guitar chords. And then they stopped. And people, somewhere, applauded, mostly to express their gratitude that it was over. We all looked around at each other, like in Close Encounters of the Third Kind: Did we really just hear that?

Epilogue: If the audience seemed lukewarm to Cinerama, it might have been due in part to being totally stunned after the 45 minutes of musical abortion. Most of us just wanted to crawl into our subconscious bivouacs and cry for our mommies.